Ive been using Logic
for about a year now, and it was a little daunting at first it
can be a little hard to get to grips with. But once you do, its
unbelievable, he says. I think its going to start
luring away from all the other sequencers that are out there.
While working on A Rush Of Blood To The Head, I was generating a
lot of sounds in Logic on my Titanium PowerBook and then sending the audio files
through a VXpocket
into the Pro Tools system, so I could generate keyboard sounds that Chris
could then play through a MIDI keyboard, he says.
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True Mac Faithfuls. Were pretty geeky when it comes
to Apple Macs, to be honest, says Berryman. Were huge fans.
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Waves Faithful
There are loads of plug-ins weve tried, he says.
But Ive found that most of the plug-ins dont come
anywhere near to being as good as the Waves bundle, so Ive just been
sticking to that set of plug-ins, for the most part. The Waves reverbs
and compressors are really good.
Were using some of the reverbs and the compressors and
plug-ins within Pro Tools you can get things like the Fairchild
plug-in and all those compressors modelled from the 60s and 70s. We
like to use those as well like the Telectronics ones, adds
Berryman.
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We used Amp
Farm on Jonnys guitars, just to go through different distortions and
different sounds, because its just so easy, he says. Instead of
plugging in numerous actual guitar pedals, you can just scroll through different sounds really quickly, just to get a good
idea of what youre trying to achieve. |
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page: In the Studio with Pro Tools and Logic
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Coldplay
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